Translating Iznik Florals into a Custom Bar Feature for the Adrak Restaurant Bar

The project has turned traditional Ottoman and Iznik floral design, a pattern with intricate tulips, and elegantly woven leaves, into a repeating and curved visual anchor

“The digital render was only the beginning. The true character of the mosaic emerges through the handcrafted process, where each glass piece contributes depth and texture that cannot be fully captured on screen.”

— Nada from Client Relations

Project Type Custom Curved Bar Mosaic
LOCATION Toronto, Canada
DesignerLW Design & MEC Artworks Design Studio
Duration 1+ Year (Concept to Fabrication)
Year 2026
Materials 10–15 mm custom hand-cut Murano glass tesserae, high-bond architectural surface adhesives, color-coordinated waterproof epoxy grout, flexible mesh-mounted backing engineered for continuous curved application.

The design team wanted a blend of historical and modern touch for the Adrak Restaurant in Toronto. The aim was to transform classic Ottoman artwork into a modern statement feature.

Here is the story of how MEC Artworks worked across three continents to create this unique, handcrafted mosaic artwork.

Client Brief

The development process of the custom mosaic feature bar at Adrak Restaurant in Toronto started in early 2025 and continued for a year. While searching for bespoke designs for a custom curved bar mosaic, the Dubai-based interior design firm LW Design approached the MEC studio for a possible collaboration.

From there, the design study between Dubai’s LW Design and the MEC Artworks initially revolved around exploring numerous design concepts, working on presentations, as well as holding meetings, to draft the visual direction for a custom bar feature at 360 Bay Street. 

For this project, the interior designers from the Middle East, contractors in North America, and MEC artworks’ design and production teams in Asia were required to navigate through a complex cross-continental workflow. This included ensuring strong coordination and managing schedules across different time zones. This initial push was met with a prolonged pause.

In 2026, MEC Artworks was contacted by the Canadian contractor managing the site, Frontier Group, with regards to resuming the project plans. The aim was to move forward with the approved design and transition it into production. 

Owing to the extensive break between the initial drawings and the final production, the design got substantial room to develop. Therefore, when the time to cut the glass arrived, all the teams had full clarity on the technical requirements for the 93-square-foot project.

Inspiration Moodboard

This intricate design got its inspiration from the traditional Ottoman and Iznik floral patterns, showcasing: 

  • elegant tulips, 
  • carnations, and 
  • woven leaves.

In the past, these patterns were painted onto smooth ceramic tiles, with sophisticated brushstrokes. Recreating this classic design and translating that vision of soft, painted fluid lines, to thousands of small hard glass mosaic pieces, was certainly challenging. 

As a result, the team carefully mapped each stem and petal onto a functional grid. Sequentially, they proceeded with precisely scaling the artwork, for it to work as a hand-cut mosaic. Their goal was to retain the gentle look of the flowers while simultaneously keeping the design bold and clear from across the space.

Design Development

an intricate, multi-colored mosaic design featuring light blue, green, red, and gold tiles.

Initial Sketches

When the initial phase of designing was going on, our team was focused on making sure that the final artwork could fit around the curved custom bar effortlessly. In their initial sketches, the team incorporated some alterations to the color palette, and wanted to ensure that the pattern had a natural flow upon being installed on a curved bar. 

White mosaic pieces as background, followed by green mosaic leaves and violet flowers

2D & 3D Visualizations

Turning the historical flower paintings into an actual mosaic pattern was such an interesting point during the project. We relied on computer models in order to assemble the hard glass pieces. The team was focused on making the floral shapes simpler, as that would allow the designers to build them by hand in the studio.

A finger pointing at an olive green tile on a numbered mosaic color sample chart.

Color Palette & Materials

Digital images cannot accurately capture how the entire design would look under actual lighting. To get the colors right, LW Design analyzed physical Murano glass samples.

Initially, the design choice included bright reds and vibrant oranges however, the team decided to tone it down.  Therefore, an earthy look with softer shades like pinks, subtle maroons, and olive greens was opted. This palette naturally blended with the custom wood furniture and lighting.

Working With Tiny Glass Tesserae

“We had to eventually alter the size of the flowers on the pattern. In this way, we could actually cut them from the glass while ensuring that every piece was cut perfectly and prevented the distortion of the final look.”

— Production Supervisor

In the beginning of the drafting process, the client asked for very tiny and fine details in the tulips. Although such intricate designs seem great on a digital monitor, that is not always the case in reality. 

As this project involved the use of glass mosaic pieces that were 10-15 millimetres wide, the designers are unable to cut the glass with the same level of precision if the design becomes too delicate. Hence, the final look ends up being messy and blurry, with the botanical details losing clarity.

MEC Artworks had to come up with a sweet spot to solve this issue. The details of the pattern were stretched as far as the glass mosaics physically allowed, without the floral design losing its distinct appearance.

The next couple of weeks were spent tweaking the size of the tulips and bringing them closer. This evoked a rich, fuller feeling that was going to be hand-crafted by artisans soon. It was important to make sure that this elegant digital design could be turned into reality.

The Curve Challenge & Continuous Mesh Strategy

“Our biggest challenge was definitely placing the mosaic pattern around the custom bar while making sure we didn’t mess up the floral design. The flexible mesh support was honestly so helpful in this situation.”

— MEC Design Team

The core struggle in the entire project was essentially the bar’s curved shape. This technical aspect was a big hurdle because mosaics are generally created for flat, plain walls or simple pool floors.

In the context of the Adrak bar however, the custom mosaic feature bar had a tricky, curved base. Careful consideration is required upon covering a repeating floral pattern around a curve without making the pattern look stretched.

To make sure that the end result did not look awkwardly stiff and unnatural, the design team had to constantly change the spots of the carnations and the flowers, so that the art could flow in a natural, fluid way, around the bends of the bar.

In this process, the team had to form very detailed instruction plans that exhibited the exact size of the curve. This was needed by the builders in Canada to follow the design perfectly and to make sure everything flowed around the whole bar.

Towards the end, another challenging part which was faced by the team, was the installation strategy. Hand-cut mosaics are mainly transferred in tinier, structured panels that are eventually put together by the contractors on site.

The Adrak bar being curved and irregular, meant that assembling fixed panels together would result in a glaring visual error. The entire elegant illusion of the artwork would look distorted in this case.

In order to avoid this problem, the entire 93-square-foot artwork was created in a continuous large-scale rectangular panel on a flexible mesh grid by MEC Artworks. Therefore, upon its arrival at 360 Bay Street, the custom-made mosaic bar did not have to be aligned in a complicated way by the installation team.

The mesh could be easily trimmed and wrapped around the artwork and bar curve directly in a singular fluid direction. The design of the floral pattern was intentionally kept quite dense, and so any required cuts that were made, were small and fully disappeared into the foliage.

With the implementation of this technique, the flow of the pattern was professionally preserved with no interruptions from the beginning to the end of the bar.

FAQs

To prevent the presence of obvious lines that you can see upon the usage of stiff boards on round shapes, the entire design is created on a huge flexible, bendable net. Therefore, when it is being installed, it just needs to be wrapped smoothly around the curve all at once. Any micro-cuts that are made during this process remain hidden in the dense floral pattern and are not noticeable. In this way, you achieve a smooth and seamless final look.

Computerised images are helpful only to a limited degree, as these images cannot show you how the actual reflective glass would look like, under natural lighting. When you have a look at the physical glass samples, such as Murano glass samples, you can see whether the colours will match your walls, floor and furniture. In this way, you can make sure that the actual colours fit in your space and do not seem completely out of place.

Translating traditional Ottoman or Iznik ceramic patterns into a glass mosaic requires converting delicate painted strokes into thousands of hard, geometric pieces. The design is mapped out on a functional grid while balancing the scale to make sure that the design is clear and noticeable from across the room..

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